The imagery projected from the panoptical TV tower assumes the tone of a nature documentary about the life of the leftover, the exhausted object, scrap. The resonance of the audile/tactile relationship is emphasized in the synaesthetic techniques used to produce image and sound. This resonance in a formal play of spatial relationships invites the viewer to perceive or construct meaning within the implied narrative (cinema forms mimicked) when there is none explicit. The Ecstasy of Small Change is a Fleabotics work. A form of hallucination activated by the televisual apparatus. Within Fleabotics, an elastic interchange between individual and setting is achieved by manipulating three dimensional space within the two dimensional form of video. Amplifying the significance of the junk, a story is generated by the continuous recombining elements of the micro assemblages, fielding that which comes around does go aground. The Ecstasy of Small Change described.